Combating Compassion Fatigue Essay

The nursing profession is a complex field that can challenge you mentally, physically, emotionally, and spiritually. People who go into the field of nursing have daily interacts with patients’ and families in need of medical help and guidance. Nurses face numerous challenges on a daily basis and must be able to handle not only their patients’ issues, but remain strong and healthy to avoid compassion fatigue and burnout. Compassion fatigue is defined as emotional, spiritual, and physical exhaustion resulting from â€Å"witnessing and absorbing the problems and suffering of others† (Wisniewski, 2013). Compassion fatigue can lead to burnout with one’s professional career and affect home life. Caregivers can also be affected by compassion fatigue and burnout from the roles that they play with their loved ones. It is vital to be able to identify the warning signs of compassion fatigue and burnout. This is a battle that can be â€Å"fought with a commitment to personal health and well-being† (Chapman, 2007). Health care professionals and caregivers need to be able to find a balance and maintain health in their own spiritual, physical, mental, and emotional lives to assist patient’s to optimal care. Strategies on stress management, healthy lifestyle choices, and resources available will be discussed to help prevent and manage these issues. â€Å"Nurses are the backbone of the medical system and act as the first line of patient medical care† (Chen et al., 2009). Dealing and coping with stress is vital for nurses to maintain to provide adequate care. Compassion fatigue is a feeling of hopelessness and a loss in the sense of meaning in one’s life. Symptoms can be â€Å"strong feelings of anxiety, difficulty concentrating, being jumpy or easily startled, irritability, difficulty sleeping, excessive emotional numbing, and intrusive images of another’s traumatic material† (Portnoy, 2011). These symptoms need to be recognized to receive help or they can progres s to long-term effects and  complications. There are five concepts of compassion fatigue that need to be addressed to help with prevention and burnout. The first concept is cognitive; symptoms can be apathy, disorientation, trouble concentration, and harshness. The second concept is emotional; signs can be anxiety, fear, helplessness, feelings of powerlessness, depression, having bad dreams, and shock. The third concept is behavioral which can be lack of sleep, moody, change in appetite, withdrawn, and repeatedly having bad dreams. The fourth concept is spiritual. This area can lead the individual to question their role in life and their profession, feelings of being lost, and questioning faith and personal beliefs. The last concept is somatic, meaning affecting one’s voluntary nervous system. This can cause rapid heartbeats, trouble breathing, headaches, aches and pains, trouble staying or falling asleep, and sweating (Portnoy, 2011). There are numerous factors that can lead up to and cause compassion fatigue. Triggers can be issues with management such as nursing acuity, patient to nurse ratios, overworked nurses, personal issues, lack of support from coworkers or bosses, and loss of the feeling that the nurse is making a difference. To combat these factors in nurses and other employees in health care, managers and organizations need to be aware of this dynamic issue and offer help (Portnoy, 2011). Creating an open environment along with education and training on how to deal with these complex issues is the first step to addressing compassion fatigue within the workplace. Group meetings within the workplace will offer the nurses a chance to share their thoughts and feelings, realizing that they are not alone. Building bonds with coworkers and sharing patient experiences will help to encourage positive healthy habits. Self-care is vital for nurses to maintain to keep life in balance and to adequately take proper care of our patients. Everybody has stress, learning how to deal with it is the key to happiness and a healthy well-being. Nurses are constantly educating our patient’s on lifestyle changes needed to maintain health such as a proper diet, exercise, and a strong support system. We in turn need to practice what we preach and maintain our health to be at our best to help our patients achieve their best. Burnout and compassion fatigue are sometimes talked about as one, but there are differences. Burnout is â€Å"state of emotional, mental, and physical exhaustion caused by excessive and prolonged stress† (Preventing Burnout, n.d.). Signs of burnout can be depression or  detachment, emotions are rigid, loss of hope and motivation, and a feeling of not worthy of living. Burnout can be caused by lifestyles or work-related issues. Working in an environment that you feel like you have no control or lack of resources can lead to burnout. Self-care is needed to maintain positive outlets to express one’s stress to avoid burnout in one’s personal life. There are physical, emotional, and behavioral signs of burnout. Physical signs are feelings of being tired all the time, being sick a lot, change in sleeping habits, body aches, and frequent headaches. Emotional signs can be loss of motivation, feelings of helplessness, feelings of detachment, sense of doubt, and an increased negative outlook in life. Behavioral signs can be isolation from others, avoidance of responsibilities, drug or alcohol abuse, missing work, and anger directed at others (Preventing Burnout, n.d.). There are several ways to help prevent burnout. Learning how to manage stress and adopting a positive healthy eating, sleeping, and exercising habits are good examples to start with. It is important to know when you need help and that it is available. Burnout can lead to compassion fatigue within your professional career. Nurses who are tired, overworked, and stress out over time without help can suffer from burnout and in turn fall into compassion fatigue. Nurses need compassion to help guide patients in their medical situations, if the nurse is stressed out and needing help herself then how can she guide the patient? Burnout can be healed, addressing the issues and finding â€Å"your balance by reassessing priorities, making time for yourself, and seeking support† (Preventing Burnout, n.d.). There is a three â€Å"R† approach when dealing with burnout; recognize, reverse, and resilience. Recognition of burnout, reversal of the damage caused from stress, and building resilience to deal with the stress by taking care of one’s emotional, mental, physical, and spiritual health. Identification is one step into addressing compassion fatigue and burnout. One can recover from burnout. There are three strategies that one should remain mindful of, slow down, get support, and reevaluate your goals and priorities (Preventing Burnout, n.d.). When dealing with job burnout there are a few options that you can do to improve the circumstances. Taking time off, asking for a new assignment, speaking with management about issues, and clarifying your job duties are a few suggestions to start with. Caregiver burnout can happen to anyone at any  given time. The roles of caregivers are equally important like that of nursing. Caregivers are responsible for the direct care of a loved one and can experience compassion fatigue as well as burnout. Being involved with a loved one’s care can cause physical, mental, emotional, and spiritual distress. The health of the caregivers is important for the success of the one who is receiving the care. Promoting policies and interventions that will help the caregivers to avoid emotional exhaustion is the goal. Caregivers need to remain aware of their needs and beliefs and know when to ask for help should they need it. Education is the start to helping patients, families, and caregivers; talking about compassion fatigue and burnout allows people to see that they are not alone and that help is available. There are numerous resources available to assist those seeking help such as The Gift from Within organization that specializes in helping people deal with trauma and stress. There is also a Compassion Fatigue organization that aims at educating people on how important self-care is and how vital it is to know the signs and symptoms (Portnoy, 2011). In conclusion, compassion fatigue is the loss of self and burnout is the emotional exhaustion that one can feel. Nurses and health care professionals are at higher risks of having these issues come up; however caregivers can suffer from these issues just as easily. The goal to combating these topics is to bring awareness to them and to continue educating people on the ways to handle them. Sometimes asking for help is hard, but it is the first step in the right direction to becoming a healthy well-being who can handle stress. Seeking guidance from professionals will benefit the person in distress as well as their families. To be emotionally, physically, mentally, and spiritually sound one must take care of themselves in all aspects of life. One must have compassionate caring, empathic boundaries, self-awareness, spirituality and hope, and self-forgiveness to succeed in life (Bush, 2009). References Bush, N. (2009). Compassion fatigue: are you at risk? Oncology Nursing Forum, 36(1), 24-28. doi:10.1188/09.ONF.24-28 Chapman, E. (2007). Radical loving care: Building the healing hospital in America. Nashville, TN: Vaughn Printing Chen, C., Lin, C., Wang, S., & Hou, T. (2009). A study of job stress, stress coping strategies, and job satisfaction for nurses working in middle-level hospital operating rooms. Journal Of Nursing Research (Taiwan Nurses Association), 17(3), 199-211. doi:10.1097/JNR.0b013e3181b2557b Portnoy, D. (2011). Burnout and Compassion Fatigue Watch for the Signs. Journal of the Catholic Health Association of the United States, 47-51. Retrieved January 20, 2015, from http://www.compassionfatigue.org/pages/healthprogress.pdf Preventing Burnout. (n.d.). Retrieved January 20, 2015, from http://www.helpguide.org/articles/stress/preventing-burnout.htm Wisniewski, L. (2013, February 5). What is Nursing Stress, Burnout, or Compassion Fatigue? Retrieved January 20, 2015, from http://www.nursetogether.com/what-is-nursing-stress-burnout-or-compassion-fatigue

Graphene Replaced with Copper

Graphene replaced with copper Graphene nanoribbons have a current-carrying capacity two orders of magnitude higher than copper Recent research into the properties of graphene nanoribbons provides two new reasons for using the material for interconnects in future computer chips. In widths as narrow as 16 nm, graphene has a current-carrying capacity approximately a thousand times greater than copper while providing improved thermal conductivity. The current-carrying and heat-transfer measurements were reported by a team of researchers from the Georgia Institute of Technology (Atlanta, GA). The same team had previously reported measurements of resistivity in graphene that suggest the material’s conductance would outperform that of copper in future generations of nanometer-scale interconnects. The graphene nanoribbons have a current-carrying capacity two orders of magnitude higher than copper at these size scales, according to Raghunath Murali, a senior research engineer at Georgia Tech. {draw:frame} Composed of thin layers of graphite, graphene has been studied by the Georgia Tech team as a potential replacement for copper in on-chip interconnects wires. The graphene nanoribbons have a current-carrying capacity of more than 108 A/cm2, which makes them very robust in resisting electromigration and should greatly improve chip reliability. This electromigration phenomenon causes transport of material, especially at high-current density and leads to a break in the wire and, consequently, chip failure. The research team also discovered that the graphene nanoribbons also have excellent thermal conductivity properties and can conduct heat away from devices. They found that graphene nanoribbons have a thermal conductivity of more than 1,000 W/m Kelvin for structures less than 20 nm wide. This will help the interconnects serve as heat spreaders in future generations of integrated circuits, according to Murali. They used electron beam lithography to construct four electrode contacts, then used lithography to fabricate devices consisting of parallel nanoribbons of widths ranging between 16 and 52 nm and lengths of between 0. 2 and 1  µm. The breakdown current density of the nanoribbons was then studied by slowly applying an increasing amount of current to the electrodes on either side of the parallel nanoribbons. A drop in current flow indicated the breakdown of one or more of the nanoribbons. In the study of 21 test devices, the researchers found that the breakdown current density of graphene nanoribbons has a reciprocal relationship to the resistivity. Because graphene can be patterned using conventional chip-making processes, manufacturers could make the transition from copper to graphene without a drastic change in chip fabrication. The data they developed so far look very promising for using this material as the basis for future on-chip interconnects. Visit www. youtube. com/watch? v=kd6zzwhfEqw to view a video explaining graphene’s thermal-conductivity capabilities. Though one of graphene’s key properties is reported to be ballistic transport—meaning electrons can flow through it without resistance—the material’s actual conductance is limited by factors that include scattering from impurities, line-edge roughness and from substrate phonons—vibrations in the substrate lattice. Use of graphene interconnects could help facilitate continuing increases in integrated circuit performance once features sizes drop to approximately 20 nanometers, which could happen in the next five years, researchers said. At that scale, the increased resistance of copper interconnects could offset performance increases, meaning that without other improvements, higher density wouldn’t produce faster integrated circuits. This is not a roadblock to achieving scaling from one generation to the next, but it is a roadblock to achieving increased performance. Dimensional scaling could continue, but because we would be giving up so much in terms of resistivity, we wouldn’t get a performance advantage from that. That’s the problem we hope to solve by switching to a different materials system for interconnects Survey in graphene replaced with copper PORTLAND, Ore. —Graphene will carry nearly 1,000-times more current and run over 10-times cooler than conventional copper interconnects below 22-nanometer line widths, according to researchers at the Georgia Institute of Technology (Georgia Tech). The speed (electron mobility) of graphene has already been touted as better than copper, but this Georgia Tech data on nanoribbons as small as 16-nanometers quantifies just how superior carbon is to copper. The graphene nanoribbons tested at Georgia Tech could carry as much as 10 billion amps per square centimeter—nearly a thousand times greater than copper. â€Å"No one had measured graphene's current carrying capacity before this,† said Raghunath Murali, a senior research engineer in Georgia Tech's Nanotechnology Research Center. One possible reason that this property of graphene was not touted before is that there were no experimental results until our work. † The superior current carrying capability of carbon formed into graphene nanoribbons is also combined with less heat build-up, since carbon's thermal conductivity is much higher than copper. Nanoribbons have a thermal conductivity of 1,000-to-5000 watts per meter Kelvin—ten times greater than copper . The Georgia Tech researchers also claim that graphene nanoribbons will mitigate electro-migration which is an increasing problem for copper as line widths descend to the nanoscale. If the current carried through a wire is close to the current-carrying capacity of the wire, then the chances of electromigration are greater than if the current in the wire is much smaller than the current-carrying capacity,† said Murali. â€Å"Graphene has over two orders of magnitude greater capacity than copper, thus if a graphene wire is compared to a copper wire carrying the same current, then the graphene wire will better resist electromigration. † Murali's team obtained their graphene samples by removing layers from a graphite block and depositing them on a silicon-on-insulator (SOI) wafer. E-beam lithograhy was used to construct the metal contacts and cut the parallel lines of graphene into lines 16-to-52 nanometers wide and 200-to-1000 nanometers long. There are three hurdles remaining to commercialization of carbon interrconnects, according to the researchers at Georgia Tech: perfecting methods of growing monolayers of graphene over entire wafers (since today only small centimeter-sized areas can be easiliy grown in monolayers), fabricating vias to interrconnect graphene nanowires, and integration of carbon into the back-end of process on a CMOS line. Murali performed the work with fellow researchers Yinxiao Yang, Kevin Brenner, Thomas Beck and James Meindl. This research was funded by the Semiconductor Research Corporation, the Defense Advanced Research Projects Agency (DARPA), the Interconnect Focus Center, the Nanoelectronics Research Initiative and the Institute for Nanoelectronics Discovery and Exploration (INDEX). Replacing silicon {draw:frame} Silicon transisitors are approaching the point where further miniturization will no longer be possible. It is expected that once silicon transistors reach 16nm size, optical lithography will no longer be capable of making smaller images. Thus, unless all preogress in transistor size is terminated and performance improvements are limited to processor architecture alone, it is very likely that chip manufacturers will move to graphene as a way to get smaller transisitors. One example is that graphene transistors are very â€Å"leaky† compared to those made of silicon- that is, more charge can escape from them. This means that graphene chips are likely to run much hotter than silicon chips. Graphene has several very appealing traits. Electrons meet much less resistance from graphene than they do from silicon, traveling through it more than 100 times as easily. And because graphene is essentially a two-dimensional material, building smaller devices with it and controlling the flow of electricity within them are easier than with three-dimensional alternatives like silicon transistors. The finding underscores graphene's potential for serving as an excellent electronic material, such as silicon, that can be used to develop new kinds of transistors based on quantum physics. Because they encounter no obstacles, the electrons in graphene roam freely across the sheet of carbon, conducting electric charge with extremely low resistance. The research team, led by Chun Ning (Jeanie) Lau, found that the electrons in graphene are reflected back by the only obstacle they meet: graphene's boundaries. â€Å"These electrons meet no other obstacles and behave like quantum billiard balls. â€Å"They display properties that resemble both particles and waves. † when the electrons are reflected from one of the boundaries of graphene, the original and reflected components of the electron can interfere with each other, the way outgoing ripples in a pond might interfere with ripples reflected back from the banks. he â€Å"electronic interference† by measuring graphene's electrical conductivity at extremely low (0. 26 Kelvin) temperatures. She explained that at such low temperatures the quantum properties of electrons can be studied more easily. The electrons in graphene can display wave-like properties, which could lead to interesting applications such as ballistic transistors, which is a new type of transistor, as w ell as resonant cavities for electrons, that a resonant cavity is a chamber, like a kitchen microwave, in which waves can bounce back and forth. Scientifically, it has become a new odel system for condensed-matter physics, the branch of physics that deals with the physical properties of solid materials. Graphene enables table-top experimental tests of a number of phenomena in physics involving quantum mechanics and relativity. Bearing excellent material properties, such as high current-carrying capacity and thermal conductivity, graphene ideally is suited for creating components for semiconductor circuits and computers comparing with silicon. Its planar geometry allows the fabrication of electronic devices and the tailoring of a variety of electrical properties. Because it is only one-atom thick, it can potentially be used to make ultra-small devices and further miniaturize electronics. Image shows graphene, which can act as an atomic-scale billiard table, with electric charges acting as billiard balls. (Credit: Lau lab, UC-Riverside) Silicon has been the main ingredient in microchips since they replaced vacuum tubes in electronics. But the common element graphene, found in pencils, may one day supplant silicon on the billion-dollar foundries of IBM, Intel and AMD. Graphene shares the characteristics that make silicon so ubiquitous, not just in computers and cell phones, but in such applications as medical and aviation sensors, ultrahigh-frequency analog electronics for preparing signals for fiber-optic transmission or for radars. Graphene can do what silicon can, only better. Graphene has extraordinary electron-transport properties; its monolayer thickness yields exquisite sensitivity to changes in environment, and its mechanical and thermal properties equal or exceed those of the best conventional materials. The superior properties of graphene and graphene-related materials present an extraordinary opportunity for enabling new classes of electronic, optoelectronic and electromechanical devices and sensors The first commercial use for graphene may be as an electrical coating for LCD screens, solar cells, and touch screens. Thin, transparent, extremely conductive, and strong, it seems ideal for the job. ONE OF THE APPLICATION Graphene Quilts to Keep Things Cool December 21, 2009 {draw:frame} Graphene University of California, Riverside (UCR) Professor of Electrical Engineering and Chair of Materials Science and Engineering Alexander Balandin is leading several projects to explore ways to use the unique capabilities of graphene â€Å"quilts† as heat conductors in high-power electronics. Graphene is a recently discovered single-atom-thick carbon crystal, which reveals many unique properties. In Balandin’s designs, graphene â€Å"quilts† (large-area overlapping networks of graphene flakes) will play quite an opposite role of your grandma’s quilts. They will remove heat instead of retaining it. His work on graphene heat-conducting coats for heat removal from high-power gallium-nitride transistors is being funded by a recently awarded $420,000 grant from U. S. Office of Naval Research (ONR). It aims at an experimental proof-of-concept demonstration to be conducted in Balandin’s Nano-Device Laboratory (NDL). In addition to the ONR grant, Balandin received a new three-year subcontract with the Interconnect Focus Center (IFC), based at the Georgia Institute of Technology, that deals with graphene interconnects and heat spreaders for three-dimensional (3-D) electronics. According to the International Technology Roadmap for Semiconductors, in the next five years, up to 80 percent of microprocessor power will be consumed by the interconnect wiring—a driver for the search for new interconnect materials and innovative methods of heat removal. Another recent subcontract awarded to Balandin is with the Functional Engineered Nano Architectonics (FENA) center based at UCLA. In this center, he investigates the problems of energy dissipation in graphene nanostructures and nanodevices. Combined new funding secured by Balandin this month for the three projects exceeds $1 million. The centers’ funding comes from the Semiconductor Research Corporation (SRC) and Defense Advanced Research Project Agency (DARPA). Because graphene is only one molecule thick, it didn’t lend itself to traditional methods of thermal conductivity measurement. Balandin led a team of researchers that first measured it using an original non-conventional technique in 2008. The procedure involved a non-contact approach on the basis of Raman spectroscopy utilizing the inelastic scattering of photons (light) by phonons (crystal vibrations). The power dissipated in graphene and corresponding temperature rise were detected by extremely small shifts in the wavelength of the light scattered from graphene. That was sufficient to extract the values of the thermal conductivity through an elaborate mathematical procedure. Balandin’s research group discovered that the thermal conductivity of large suspended graphene sheets varies in the range from about 3000 to 5300 W/mK (watts per meter per degree Kelvin) near room temperature. These are very high values, which exceed those of carbon nanotubes (3,000-3,500 W/mK) and diamond (1,000-2,200 W/mK). As a result of his findings, Balandin has proposed several innovative graphene-based approaches for thermal management , which might lead to creation of a new technology for local cooling and hot-spot spreading in the high-power-density and ultra-fast chips. A detailed description of Balandin’s graphene and thermal management research can be found in his invited popular science article, â€Å"Chill Out,† in the October 2009 issue of IEEE Spectrum, the magazine of the The Institute of Electrical and Electronic Engineers (IEEE).

Causes of Conflict

Scarce resources are very important to the country. It is a source of revenue for the country and it can be sold off for money and as raw resources for industrialization. Thus, countries would want to compete for scarce resources. An example would be the Iceland-britian conflict. As Iceland depends on the fishing industry for survival, its source of revenue comes from the fish caught. In 1970s, the number of fish, especially cod, dropped by 1/3 and these were due to the over fishing of Belgium, german and britian on Iceland seas. Thus, Iceland has came up with measures in controlling the number of fish caught to the UN but most were ignored. As 79% of the total export comprises of fresh fish and fish products, it is important for Iceland to maintain a sustainable levels of fish stocks in the seas around Iceland. Source of economic survivals is threatened, Iceland had to fight to ensure that this source of natural resource is sustained. This conflict resulted in Iceland breaking displomatic ties with britian. When a country’s scarce resources is being threatened, they have to fight back as it is their main source of revenue and survival. Losing the main source of scarce resource ewould lead to economic downfall, jobs and livelihood at stake resulting in poverty Different values and benefits. Countries fight over different values and benefits due when they feel that it is being threatened by others. This is evident in the Korean war. Korea is being separated into 2 halves in the 38th parallel after the Japanese surrended in the 1945. The Russian occupied the north of parallel and the American occupied the south of parallel. Attempt of un to establish a single government failed as the north parallel did not want to have an election in the north. North korea was then created and became a communist party whereas south korea was then created and became democratic party. Both the government claimed that they both have the rights to rule the Korean peninsula. China, afraid that the north korea would be influenced by the south korea’s democractic system, helped and supported north korea in the war of north korea and south korea to spread communism. This showed that when countries come into conflict to extend their balue systems to other territories and also protect their value systems from being threatened to fight back

MGT499 MOD 5 CA Essay Example | Topics and Well Written Essays - 750 words

MGT499 MOD 5 CA - Essay Example The management is feeling the heat of this issue as the brand ranking slipping down at a pace which requires immediate revisit of concerned strategic guidelines. Acknowledging the situation, Riki Inuzuka the Managing Officer, Corporate Planning Division and Research Division for Toyota states, â€Å"We will continue to make concerted and unified efforts to ensure quality as well as to achieve a higher level of safety.† (Inuzuka, 2011). An in-depth analysis into the structure of the organization, controls applied to ensure implementation of strategies and organizational culture can help to trace the root causes of the safety scandals currently facing Toyota. In seventy-five years of history, the company is predominantly governed and steered by â€Å"Toyoda clan† with some regimes of non-family top level management. This obviously, suggests some structural and strategic flaws as far human-resource management is concerned. In the first place, keeping the steering seat reserved for Toyoda family suggest that performance is not the only merit to reach the heights one may aspire in his career with Toyota. Obviously, when this favoritism and nepotism travels down the path and creates serious unrest and concerns among sincere performers. Secondly, it creates rift among family and non-family managers and creates a stressed environment, where non-family manager will feel insecure and therefore may go for some out of the box options to prove their worth and impress the higher management. Last two non-family presidential regimes; 1995-1999 Hiroshi Okuda and 2000-2009 Katsuaki Watanabe have successfully expanded the global share of the car-maker but not without a changed focus of strategic controls from quality to quantity and goodwill to profitability. (Shirouzu, 2010). The Toyoda family regained the leadership at Toyota when Akio Toyoda was announced as the president of the Toyota. Akio is now trying to shift the focus of the company from

What options do the elderly have for housing and what is the best Research Paper

What options do the elderly have for housing and what is the best option - Research Paper Example Knowing this, we come to realization that there will be an increased need for a vast array of different types of housing. The choice of the living arrangements largely depends on the capabilities and needs of the individual. Despite needs for changes, there are things, specific to aging that do not change. Throughout the retirement time the individual will likely have smaller income, and his problems with health are likely to increase. According to statistics, those who live to age 65, on average are likely to live to over 80 years, which makes about 15 - 20 years of life after the retirement. That is a long enough period of time, which presents its challenges: economical, health and psychological pressure, etc. This often leads to the necessity of changing the housing situation a number of times during the time between the onset of retirement and death. To get information on the available housing options for elderly, to determine what are the options preferred and recommended, we lo oked into variety of sources such as articles, congress Acts, governmental and non-governmental Internet resources. Study of the sources provided both the clear description of the problem of housing for elderly as well as wide variety of options of solving the problem. There are many reasons of why the senior citizens might have issues about the housing. However, as the professor McFadden summed it up: â€Å"The main issues in housing the elderly in the United States are affordability and suitability.† (Noguchi, p.109) Once a person or household gets retired, they face the fact that their income will get significantly lower than on the peak of their life. The Government provides senior citizens with Social Security income, private pensions, and public assistance programs. All of these will enable most elderly not to live in poverty. However, the more they age, the less income they will receive. Other issues such as healthcare and quality of life will become more urgent as wel l. Therefore the housing itself will become a problem. The society at large is aware of this problem and significantly contributed to its solving. As of now, elderly citizens have different options to accommodate their housing needs. When considering housing options, the first question is if in-home care is possible. The best advantage for the elderly is that he would stay in the most comfortable place – their own home, and the care givers, such as medical assistant or companion and helper in the home comes to the house. However, this option can too costly. According to the Fair Housing Act (Title VIII of the Civil Rights Act of 1968) and The Housing for Older Persons Act of 1995(HOPA), there are two basic federal strategies to accommodate housing needs of the elderly. One of them is building new public complexes. This project is under supervision of Section 202 HUD governmental department. The other strategy is to assess the needs of residents through the governmental fundin g. However, there is large percentage of senior citizens, who will not use federal assistance in solving their housing situation. They do have many options to choose from. All of those options have one big disadvantage to the elderly – they will have to permanently leave their home and start living in a totally new environment. For some, it will be difficult to adjust. Considering housing options, these are the main factors of concern of senior citizens or their relatives: safety issues, location – to be close enough to their children; availability of transportation; challenging inside house set up – staircases, facilities matching to the need and ability of the senior; present house is too big or too costly to maintain, etc. â€Å"Seniors Only† complexes or communities These are apartment complexes,

Management in a early years setting Essay Example | Topics and Well Written Essays - 2750 words

Management in a early years setting - Essay Example Introduction Evidently through research, it is clear that in an early setting there are certain guidelines that manager should adhere to in order to enhance correct management. There are diverse guidelines in the setting and so manager’s attitudes shape the form of program. In any given business, management is something which should be done in the right manner possible, and this should be able to integrate all elements of management and functions as well. This becomes a defining application which has the capability of improving performance and ensuring that business goals have been realized within the shortest time possible. For instance, within any strategies of management, it should be appropriate to adopt a number of practices, theories and organizational adoptions which have the capability of improving performance of business. In early year setting, management is considered to be significant since this determines several aspects in the running of the business. With this un derstanding, this paper critically presents a discussion in management in early year settings from a broad point of view. This is enhanced through covering several different topics related to management and responding to different questions succinctly. Critical Analysis of the Management of Provision of the Setting The setting followed through early year’s management stage-offset and the attitudes at the same time as can be set on the subject of specific documents outside the setting. Documents in the settings, it is significant to note down that not every expert that is working in the setting have an identical attitudes and beliefs in place (Harrison, 2003, P. 38). In that sense, they can differ appreciably between individual, and there is no incorrect value, attitude or belief. In this section, the roles of a manager will be highlighted clearly. The Manager’s Roles and Responsibilities Essentially, the main role of a manager is to supervise and ensure that the settin g is been run in accordance to the set guidelines (Laura, 2008, P. 48). The manager therefore, becomes responsible to supervising staff when required and ensuring that the staff is always organized in order to accomplish their tasks. There are innumerable ways through which change in an early management can be achieved. This is through the role played by managers as well as their responsibilities. It is evident that members of staff do not have the accountability to deal with management. Their responsibility in the organization is to do what is most excellent for the benefits of the entire organization (Wang, 2010, P. 18). Therefore, the accountability for dealing with management in early year setting is the role of managers. Managers should cope with the change in a manner that workers can get by it. The role of the manager is to keep up to date with registers and other important data files, for children in their early setting. Managers should play the role to smooth the progress a nd facilitate change, and all this is disguised in that declaration in order to comprehend the circumstances from

When desigining a buliding , what steps are put in place to protect Assignment

When desigining a buliding , what steps are put in place to protect pulic safety and the environment ( Techical Report) - Assignment Example The research will focus more on the Waikato region of New Zealand. There are authorities that are charged with the safety regulations of building sites one of the groups that are charged with the responsibilities of ensuring safety is the Waikato building consent group. The Waikato building Consent Team support some sort of risk dependent consenting technique, with duties and accountabilities becoming apportioned for the parties relative to their guidance. The Building Control council is responsible for issuing consents to allow for building development in the district, and conducting inspections in order to make sure that building agreement conditions are met and relevant legislation is observed fully. The group works in hand ensuring that building designs are up to standard and the safety requirements are considered in the sites under construction Construction is an ongoing process. Every day there are buildings coming up while the old designs are been replaced by modern designs that improve the physical appearance of a place. With all this construction going on, it is important for a designer to consider public safety and the safety of the environment. There are steps that have been set to guide engineers while they design plans for a building. These steps have been designed to protect pedestrians, workers and anybody who might come near the building site. It is very important for designers to familiarize themselves with the steps that have been put in place for public and environmental safety in the Waikato. This will minimize the risk of accidents in construction and protect the environment. The reason for this study is to find out the does and don’ts of a designer while creating a building design. It also aims to educate the public on the importance of public safety and environmental safety during construction and the design process. Conducting the study was not easy. Several limitations hampered the full realization of the study. The

Troubleshooting electric circuits Essay Example | Topics and Well Written Essays - 250 words

Troubleshooting electric circuits - Essay Example As part of the pre-qualifying parameters, it is significant to identify the defected system, whether it is electrical or mechanical. This should be followed by a thorough analysis of the fault found in the identified system. Carrying out the troubleshooting steps would then follow for repairs. These techniques would make the troubleshooting a lot faster. In the scope of troubleshooting an electrical circuit, it is likewise of utmost importance to identify the controls and loads, clearly understand the sequence of the operation in a system, and the mastery of the basic circuit theory which will help in the analysis of the individual components at hand. To make the troubleshooting more systematic, I should look at the problem from a smaller view to a larger view which will project the picture as a whole. To carry the troubleshooting process effectively, I would extensively utilize the three important measuring devices: ohmmeter, voltmeter and ammeter. Nevertheless, these would not be e nough without having a view of the backbone of the system. This can be addressed by using schematic diagrams, electrical wiring diagram (EWD) and test lights. What should I do if the problem remains undetected after exhausting all the troubleshooting process? The answer depends on you

Report of Electronic Commerce Essay Example | Topics and Well Written Essays - 1000 words

Report of Electronic Commerce - Essay Example A conclusion will then summarise the findings and present the final thought. E-commerce is buying and selling of goods and services online, usually through the internet (Information System Audit and Control Association, 2006, p.218 - 222). Global electronic commerce revenue for 2000 was in the region of $286 billion; a figure which was expected to increase to $500 billion in 2001 and to $3 trillion by 2004. 'According to Interactive Media in Retail Group (IMRG), an industry body for electronic retailing, British online retail sales rose by more than 60% from a year earlier in June 2006, totaling 2.26bn that month. British online retail sales totaled 13.5bn in the first half of 2006, according to IMRG' (Global Technology Forum, 2006). This rapid increase reflects the fact that electronic commerce has a number of advantages over paper-based commerce: in particular, speed and reducing the cost of doing business. E-commerce allows organisations to reach to a wider range of audience than what a traditional brick-and-mortar shop can ever do. With e-commerce, companies can serve globally. The entire world becomes the target market depending on the type of business. For a book store like Glasgow Books, this presents an opportunity to extend to not only in Glasgow but throughout Scotland and perhaps in other parts of Europe as well, with passage of time. Availability An online shop is open 24 hours a day, 7 days a week and 365 days a year. The customers can read about the books, and can make transactions any time they like, through the comfort of their homes, without having to physically come to the shop for making purchases. Low Costs In the long run, technology costs to establish an online book store is much lesser than what it must spend to maintain a physical store. The cost of advertising and marketing over the internet is minimal. Customer Relationship Management E-Commerce solutions provide an effective way to keep in contact with customers, record customers' likes and dislikes, and develop a targeted marketing campaign as per the customers' tastes and wants. For example, Glasgow Books, by using an e-commerce system, can keep records of customers' preferences for books and can contact customers as and when new editions and/ or new books relating to that particular subject arrive. Accurate Armour, a manufacturer of military models, developed their website in 2003 when

How did the roll of religion affect ancient Egypt Research Paper

How did the roll of religion affect ancient Egypt - Research Paper Example Religion in Egypt was a central part of the daily routine and believed to be the reason for existence. The Egyptian gods had the most important role to play in the society. The gods were believed to be in control of all natural and human aspects of the society. For example, the god Ra was associated with the sun while Anubis was responsible for resurrection. The purpose of the lives of the ancient Egyptians was to keep their gods pleased. If a farmer needed rain for his crops to grow well that season, he will pray to the gods and offer favors in exchange of his wish; so will a boy longing to have a camel or a woman wanting to get married. Thus, every need of the Egyptians was linked with the gods. Magical acts were also used to interact with gods (Brewer and Teeter 132). This helped in bringing unity within the ancient Egyptian society as every individual turned towards the same source to plead. The Egyptian religion taught the people the lesson of good and bad. Every child born in an Egyptian household was made to believe that if s/he does not pray or offer the rituals, the gods will be displeased with him/her and punish him/her (Allen 79). Likewise, if s/he would perform good deeds and prayed regularly, s/he would be rewarded with a perfect life and all his/her wishes would be fulfilled. This helped develop a strong conscience within the Egyptians and prevented them from committing acts that were ethically, morally and religiously wrong. The fear of gods also made them loyal to the pharaoh and brought law and order to the country because the word of the pharaoh was considered to be the word of gods (Allen 80). Thus, the chances of rebellions against the authority of the pharaoh were also minimal and the pharaoh had a strong hold over is empire and the people living in it. ‘Ma’at’ was another important concept of

A Tragic Hero in Aristotle Definition Essay Example for Free

A Tragic Hero in Aristotle Definition Essay The word tragedy is when an event ends in misfortune. However, when the word tragedy is put in context within a play or a story it is a story circling around a protagonist who is of high power and stature. A tragedy is usually the development of a protagonist whose in conflict with a more superior force; the superior forces that the protagonist could be faced with is his destiny, free will and the Gods that rule over them. The end of a tragedy is usually the protagonist whose in a state of deterioration in which he loses everything. A tragic hero is meant to define his fate by himself, usually by actions that he inflicts on himself which then lead him to wreck his own life. Aristotle is considered as one of the many ancient influential philosophers there is and therefore his view of Oedipus being an ideal tragic hero is considered as highly powerful in the world of literature. Aristotle defines tragedy as the conflict between humans being good yet being defeated by reality as their actions done with good intentions can actually bring back outcomes that were not initially wanted. In the play Oedipus by Sophocles, Oedipus is classed as a classic tragic hero by Aristotle for many of the characteristics he possesses. According to Aristotles definition of a tragic hero; the tragic hero has to be realistic, true to life, consistent and true to themselves, consistent within the context of the narrative and has to make errors of judgement throughout the play but the results of what has been done should be the opposite of what was initially intended. A tragic hero should be able to arouse feelings of pity and fear; this is because, the feeling of pity is aroused by our deep sympathy for someone whose life is falling out of place whereas that person is neither too good nor too evil to have deserved such a misfortune, and the feeling of fear is aroused by the sheer horror that such a tragedy can fall upon anyone regardless of their stature. According to Aristotles definition Oedipus is a tragic hero because he is a man of great power and influence over the city he rules and his life begins to deteriorate in front of everyones eyes as he goes on a quest to find out who he is. Aristotle says that a tragic hero must be the one to cause their own downfall in which Oedipus persistently decides to carry on asking questions about his origins. Also, the tragic heros fate is not deserved and his punishment exceeds his wrongdoings and  that a tragic hero must be someone important and influential and he must be someone who makes an error of judgement. This error of judgement is seen when Oedipus forces Tiresias in anger to answer his questions of who his parents are, â€Å"Who? Wait; who are my parents?†, it is Oedipuss own mistake in forcing answers in which he does not wish to hear or know.

Common Misconceptions Essay Example for Free

Common Misconceptions Essay Commonly thought of as belligerently walking the streets late at night, or at any time in fact, the Irish culture is inaccurately perceived as the drinking type, at any point of the day on any day of the week, though usually all of the above. Americans drink, French people do too, as well as our friends from Great Britain, but for some reason people always accuse those Irish people of being too drunk too often. It just so happens to be that I am Irish, and American, though I am not drunk at this time of writing this paper. I may just be the exception, as many people believe or have believed at some time that they are just heavy drinkers. There are the stories we are told, how the potato famine in Ireland was a result of the Irish being too drunk to realize something’s wrong with their potatoes, and possibly continue to believe nothing is wrong. Then they came over to America and brought their drinking problems and potato famine ignorance with them and the rest is history that they will soon forget. With them jumping seas, it gave us Americans an excuse for our own belligerent ways; we could use those drunken Irish as a scapegoat! Now, if we are caught by our friends in a bush after a long night, we may say â€Å"It’s alright, I’m Irish, I’m just respecting my ancestry† or we have an excuse to celebrate the holiday St. Patrick’s day, which is more of a reason to drink than celebrate the arrival of Christianity in Ireland. If this myth helps All-Americans get out of sticky situations through deception, than it sure is doing its job, just be sure to say â€Å"I’m Irish† and wear that green clover hat every once in a while. Some could find it offensive, such as the Irish who didn’t jump ship because they paid good attention to their potatoes. So instead of reading the myth as â€Å"those drunken Irish are always drunk†, it should read â€Å"those drunken Irish who forgot about their potatoes are always drunk†. Now, where’s my shot glass?

Impact of Technology on Graphic Design

Impact of Technology on Graphic Design In our society technology is the dominant industry. In this essay I plan to look at how technology has impacted not only western society but in particularly graphic design since the digital revolution. We in the field of graphic design are particularly affected by technology although the digital age has increased possibilities for designers; it has also had a number of possible negative effects. I plan to look at both sides of the argument in detail and give examples of how they contrast with one another and yet in the right hands can be used together to create visually engaging pieces. In western society, we are in the middle of a technological revolution. As the world has become increasingly digital, there has been a change in the way people communicate, the way that they purchase items and the way that they socialize. This digital revolution has also contributed ti changes in graphic design over the last decade. Before the amalgamation of programs such as Adobe Photoshop, Quark Express and Autodesk Maya, we would never be able to see digital pieces of the complexity that we can currently see today. Not only has technology altered the way that work is created, it has also completely changed the way that we present our work. Today most designers have at least one form of online presence; be it a Facebook fan page, a twitter feed, a blog where they share their thoughts or even just a portfolio site where their work is showcased, many designers use the internet as their main source of publicity. It is due to the ability to show things, such as moving animation work or interactive multimedia pieces and the fact that designers can share a higher percentage of their work without limitations of size or quality makes using digital technology so appealing. With a traditional paper portfolio, it is rarely possible to accommodate all our workà ¢Ã¢â€š ¬Ã‚ ¦.with a laptop we can take everything (Shaughnessy 2010) The use of portfolio sites has gained a great deal of attention in the world of graphic design. Although on one hand they are responsible for many artists gaining helpful critiques and exposure to a new audience, there is also a huge problem of plagiarism in the online community. One example of how websites like DeviantArt.com are abused is the case of Lara Jade. A photographer who published a selection of her work online, for others to enjoy. This was all very well until a viewer of her work messaged her to tell her that one of her self-portraits, taken at the age of fourteen was being used on the cover of a pornographic DVD.  [1]  actual refeerence It took three years of legal action for the distributers of the DVD to stop using her image as the cover, even after they were made aware of the copyright and the age of the cover star. Sites such as DeviantArt.COM are facing a backlash from their loyal supporters who have got to a stage where the amount of plagiarism has taken away the joy of uploading work. Many designers are simply not willing to let their work be stolen in exchange for a brief exposure to a website with 37% of their members being between 18-24. With so many members, DA is destined not only to be a target of plagiarists, but also a home for them. (Bailey 2007) Technology is also used predominately in the designing and creation of work in the graphic design field. Since the digital revolution, we have seen a massive change in the way that, for example, motion graphics is created. Programs such as Adobe After Effects have increased productivity in the motion industry as it allows designers to create animations in an extremely short amount of time compared to when they were traditionally analogue created. An example of this are the classic Disney animations such as Snow White and the Seven Dwarfs, Beauty and the Beast or The Lion King, all of which were created using traditional stocks cell animation,  [2]  with each frame having to be individually drawn. [Need to Expand] Looking further afield than at motion graphics specifically, we also see how other digital programs have increased workflow for many designers. Whereas before the digital revolution, many hours were spent with pencils arranging compositions, design mocks can now be creat ed in a very short amount of time by sketching straight onto a computer using a tablet input alongside an image program like Adobe Photoshop. By drawing straight onto the computer, cutting out the paper stage, we also see how sketches can be sent directly to our clients through e-mail or FTP  [3]  this allows our clients to see work in progress and for any changes to be made instantaneously. Look at eco benefits -you dont waste paper! The success of the Internet has also changed the way that designers find inspiration for their work. Where before the digital age designers scanned through history books for inspiration they now can type the theme that they are searching for straight into Google and instantly be given a wide selection of results. This has also led to an increase in the aforementioned plagiarism cases as search engines allow ideas to be easily seen by many, increasing the opportunity for them to be stolen with no concept of ownership. Another aspect of graphic design, which has changed with the increase in technology, is the way designers publicize pieces. Where before success relied heavily on word-of-mouth for designs to become popular and to be seen by people, nowadays there is the use of websites such as DeviantArt.COM, Linkdin.COM or Behance.NET instead. Websites like these have allowed artists on the other side of the world to view our work, which in turn has led to more commissions. QUESTOINAIRE EVIDENCE these websites have also incorporated people not usually associated with a particular field to become integrated within design. EXPLAIN we are seeing, even outside of design, an increase in sharing sites such as Flickr and stumbleupon. These websites load pages whose contents are rated by the viewers, who are given this information randomly. If your page is rated highly enough you will get more views from people interested in the same genres is that you are. Even in todays digital age the process of creating design usually still starts with pencil. QUESTIONNAIRE as proof these pencil sketches are primarily used to create compositions usually to be reworked each time to experiment with new ideas. From there the pencil sketches are usually scanned into the computer then moved to Photoshop to clean up lines. Using brush tools, the image is occasionally coloured from the Pantone selection then it is transferred to the printer where finishes can be applied to the piece. We have seen many designers who have incorporated both traditional and digital mediums into their work. The first designer to truly utilise a computer in terms of layout was April Greiman. Eskilson (2007) stated that Greiman was one of the first graphic designers make use of the powerful tools in a computer. He notes that Greiman did not view the computer as simply a functional tool but as something that had led her to experiment in a way that opened up new avenues of design. Expand As she started to gain popularity we started to see the origins of the techniques that we still used today. In her work she uses techniques in a way that creates chaos on our screens. The images look slightly intentionally like they purposely contain mistakes as a way of creating a sense of energy that was not seen in the other work of that time. Anaylse a piece of work, unpack moe layering of information enabled by the computer Today we are seeing an uprising against the over digitalized style work. We are seeing a rise in the popularity of traditional print-based media as designers are striving for the type of imperfection that was commonplace before the digital revolution. This can be seen today in many sources. Just one look at designs from todays creative area gives you the opportunity to see an abundance of textures and overlays used to create the implied use of traditional media. The problem of doing this is that creative directors can then why would a designer not just create traditionally? Instead of overlaying texture that leaves the viewer to believe that the image was screen printed why not just screen-print the image in the first place? EVIDENCE Dont let your perceptions of the what seems to be a tradition in the design community (or any other community for that matter) dictate how you go about your work (Ward 2010) In graphic design today people do not want to see lifeless art that looks digitalised. No longer does Western society want to see photorealism in design. QUOTE the creative industry is actively looking for a personal touch in each bit of design that is viewed which can be seenà ¢Ã¢â€š ¬Ã‚ ¦ Products are also seen gaining popularity in the design world, this is due to the unique hand rendered quality that gives the ability to touch the product that is paid for, rather than just being sent a digital imitation of the original file. With work in the digital age, there is no essence of work. It is lost with the lack of physical hard copy of each piece. In other words, the unique value of the authentic work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty. (Benjamin 2008) With work created in a digital environment there is no such thing as an original. We can never be in ownership of an original copy of the digital piece of work, as it does not technically exist, but is simply a digital file. Replicas can be made extremely cheaply with digitally created work, all it takes is a printer connected to a computer to create a copy of any print that you create. The fact that work can be made quickly and cheaply makes art open to the masses. It leads to a less hieracial and more democratic art ownership. An example of this is Andy Warhol and his work with the portraits of Marilyn Monroe. He used a famous image of Monroe, by Gene Korman for the film Niagara, as the basis for a series of silkscreened images. Although Warhol did create his own work, he used the language of repetition to show how art can be mass produced. Although his work is produced on a huge scale, the work he creates is very rare and expensive. EXPAND- can print on many materials One of the most important developments of the digital age is communication. As designers we receive most of our work through electronic means be that e-mail, portfolio websites or just through forums. The use of e-mail has completely changed the way that designers communicate. WHY? Before the popularity of e-mail grew, designers were completely at the mercey of their clients. If clients telephoned, with regards to work, a company and no one answered the phone they would probably lose the commission. This contrasts today where a client can just send an e-mail to the company and it will be read, maybe not instantaneously but it means that the company had not missed work. With emails, we have the options for things like Out of office auto replies, which makes the client aware that it may not be responded to straight away but has been noted. One contrast about e-mails is that in this age they are not considered as a personal way of communication. We have lost the interaction with the cli ent as it is hard sometimes to portray your point or opinion through text. This could lead to confusion due to a piece of work not being to the specifications that the client could not express through typing. In Western society, many artists have utilised both traditional and digital mediums. These ideas show people how both mediums can come together in harmony to create an exciting pieces. One such artist is look at positives and negatives When we look at the digital revolution and consider how it has affected technology, we must look at the impact change has had on the digital side of graphic design. One area that shall be focused on, that is actively changed, is the area of motion graphics and animation. We have seen the art of the title sequence change over time. From its humble beginnings as a way of simply crediting the people who have been involved in the project, all the way through Saul Basss reinvention of titles being a way to introduce the story, to Kyle Cooper today creating visually stunning pieces that both incorporate and link to the main story. One title sequence that specifically stands out is that of the HBO TV series The Pacific. This title sequence takes us through charcoal drawings of the main characters, which in turn visually transform into live-action sequences of the character. This represents the change that the characters face throughout the series but also from a visual point, shows how trad itional and digital mediums can come together to create exciting visual experiments. Typography has also been reinvented with the use of motion graphics, we are now seeing static images of text being thrown across a screen in TV adverts and information broadcasts. The example of The Pacific is used so that the viewer can be taken through a journey from the chalk drawings to the live-action sequence. This may subliminally give the audience a connection between the past and present. The design of a title sequence such as The Pacific couldnt use digitalized work due to the context of the piece. The area of 3D graphics is another part of graphic design that has been reinvented by the emersion of digital technologies. From the very beginning of that change creativity and design was infused with the power of technology. (Hession 2010) Before the digital revolution 3D models were sculpted by hand and in films we had the use of puppets in place of what is today created by computer aided design. In films such as the original Star Wars, all the aliens and creatures were hand held puppets. These puppets were then held by different animators in the position the director wanted. Today it can be seen how the models have changed. Now it is common to see, in different companies across the film world, several designers in front of their computers using software such as 3DS Max or Maya to create the type of artefacts that would have never have been possible if created by hand. QUOTE although some hand created designs are exceptional pieces, by utilizing 3D software designers are able to m anipulate the character in ways never before possible. Models bigger than ever before-> Pixar work In other areas like computer game art, we see the necessity of 3D modelling software. To create interactive worlds and destructible environments designers rely on computer technology. WHY? Objects created with digital programs are a lot easier to create and control. Finding a location in real life where you can control the elements and lighting to create an atmosphere would be an impossible task. In computer games, designers need to create a whole world for the player to interact with By using 3-D software that designers can repeat visual items to save time and space on the disc. EXAMPLE The video game market is one of our societys highest grossing industries. Video games, once thought to be a fad, have worked their way into the fabric of international culture. At present, Sony has shipped more than 80 million PlayStations worldwide and Nintendo have sold more than 110 million game boys. When you look at the humble beginnings of the video game, from its Japanese playing cards roots to todays multi-million dollar industry we see how the digital revolution has changed the way millions of people interact with their computers. This is another example of the way the digital age has inadvertently changed the thinking of humanity forever. No longer are we restrained by our 9-to-5 jobs, when we can take on a second life in virtual reality. If a person has had a bad day at the office they can now load up the PlayStation3 and use it to take their anger out on people around the world by playing a first person shooter game. The area of illustration is one that although touched by the digital revolution, hasnt been changed completely by it. Quote it is still viewed as a traditional medium by artists due to the fact that most images are still hand rendered using inks and pencils. We do see digital illustrations but these make up a much smaller percentage of illustration when compared to the traditional illustration styles. One example is in the area of concept art. Here drawings are created loose and freely, by hand, as it easier for other artists to develop their own ideas onto a hand drawn image than it is to draw, scan and then email digital files. They can be jotted down on paper and simply handed over to another designer. It is after many changes and redrafts that concept art is then placed onto a computer and developed digitally from there. We see this technique with animated film from picture houses such as DreamWorks and Pixar and to an extent Disney animations. Images are drawn during brainstormi ng and if they are approved they are developed further by hand until they are passed onto the 3D development team. By using this process designers can make little changes to animations quickly and easier than it would be to render a whole scene using 3-D software. Even in this digital age there are many specialised traditional mediums in the forefront of design. In the area of print, such as mono-printing or silkscreen printing, there is currently an uprising in popularity in both traditional and hand rendered designs. By using techniques such as collaging we are seeing designers using a hands-on style of working. By working by hand, it allows designers to create one-off pieces or to create many individual unique pieces that add value when being resold. Example. The physical ownership is one of the main factors in purchasing of art. Mediums such as sculpture or paint still cannot be accurately replicated in the digital world, even with the recent advancements; there is no way for designers to be hands on with the medium they are using to create their piece. Interactivity is one of, if not the main benefactor of the digital revolution. We are now able to create pieces where people interact with the things they see on screen. This has opened up a whole range of ways that designers can involve the viewer in the piece. For example on a website now people can be made to click on the specific area that they want to see, if you want to see football results you could click on the football on a webpage and be taken straight to that specific site. Not only are people looking at work online, now they are actively involved in the piece. Saffer (2006) states that the reason for interactive design is to enable connections between people, that interactivity has made easier communications between themselves and the world. By looking at the sales figures of software like Adobe Flash we can see how popular interactivity has become. There are many websites and tutorials dedicated to flash-based gaming, as well as applications and advertisements and with their popularity we can see exactly how interactivity has become a pivotal part of graphic design. We are also seeing interactivity being spread to our mobile phones with the Android Marketplace, the Apple App store as well as brand specific mobile applications shops. It has been another source of revenue for interactive designers. Most interaction designers work on software, websites, and other technology like mobile devices. But interaction designers can also design services which have little to no technology in them. By services, I mean processes and ways of doing activities. (Saffer 2006)Talk about change Today, designers still look at illustration as a traditional aspect of design. It hasnt changed much over the last few years and more specifically since the digital revolution as much as other mediums of design have. We still see designers using traditional mediums such as paints and pencils to create their work where in the digital age it is all mouse and keyboard. There are good points to both traditional and digital illustrationà ¢Ã¢â€š ¬Ã‚ ¦ In the area of illustration, in one instance being comic art we are still seeing traditional illustrators and colourist being hired to produce their work on an international scale. One such artist is Sean Phillips, an illustrator and colourist who has worked for Marvel as well as his own independent books, which have been sold worldwide. Phillips still uses traditional mediums, such as watercolour paints, in his work this being unusual for a colourist. This gives him a unique selling point as many comic book colourists strictly stick to digital mediums due to a wide range of colours availability. Also ease of reproduction previously mentioned As a viewer of todays digitalised graphic design medium a question could be asked. Could design go back to a traditional media? Would todays illustrators be able to make a name for themselves without the digital media? Could designers who solely use e-mail as a source of communication be able to survive? Instead of using Adobe illustrator pen tool, would designers be able to manually trace objects before putting them on the final piece? Would designers be able to survive without the undo command? answer these questions One aspect of the digital age that is usually overlooked is the opportunity for designers to work anywhere in the world. No longer are designers stuck behind their desks working. With the growing popularity of laptops, and to a smaller extent notebooks, we are seeing designers being able to work anywhere in the world and still communicate with their home office. There are a number of freelance designers working on beaches or in the park without losing any commissions. This greater level of opportunity for designers to work in their own space has meant that no longer do companies need to hire in-house designers. This in turn has had a good effect on the industry as it means less money is being paid out to temporary workers who work in house at the company (quote) One question that must be asked with the arrival of the digital age in relation to graphic design is, has the Internet made a universal style of graphic design through the world? Whilst looking at digitally created work on the Internet, it is extremely hard to see the national style of the designer. When we look, for example, at architecture there is a difference between buildings made in Spain against those made in the UK. We see the different building materials available to the region at the time of construction play an important part in the building process. That is how we define individual buildings in one town from another; and in succession creates regional differences. This is not seen in graphic design as throughout the world everyone has the same tools. If a graphic designer in Argentina wants to create a piece using Adobe Illustrator they will have access to the same tools that a designer would have here. This means that although the actual idea may be involved in the desig ners culture its tools may not necessarily be so. Maybe as designers we have to look past the tools that are used. Builders create their style not only in the materials they use but the designs that building adhere to. A builder uses bricks but can create many different outcomes. Do designers use the constraights of software to cover the lack of originality in their ideas?Quote this is also due to postmodernism We are seeing a universal style throughout many areas of design not just limited to illustration. As Adobe has become the worldwide industry standard in design software, everyone is using the same programs to create their work, a question must be asked Are we restricted to the software limitations whilst creating? Have we lost individual artistic flair, as designers are unable to replicate the styles they use in digital software? Although we are starting to see traditional brush tools being produced in software such as Corel Painter since CS5 Photoshop, they are nowhere close to being able to create the same textures and brushstrokes that we can when using real brushes. In graphic design we see styles come and go like fashion. Every few years we see a cycle of designers coming from art school re-inventing certain styles. Recently design has left the photorealistic style of images replaced with a retro style bringing aspects from the 1980s with designers utilizing neon colours and strong polygon shapes. Todays illustrators wear their respective styles like an overcoat, and unless major changes in fashion occur overnight, they tend to keep that coat for many seasons, while adding accessories that keep you up-to-date. (Wiedemann 2010) We often see video game style art in this cycle. where the smoothed elements of the piece replicate a perfect world. It is in instances like this that digital arts is often seen as similar to traditional art where styles gain and lose popularity over time. These stylesin art are also a theoretical approach to understanding culture of a particular time. Individual styles can become movements, with each one developing and advanceing our understanding, not just visually but also the context of a piece. In western society use technology in everything we do. Listening to music at a train station on the way to work, checking the news on your phone in case anything interesting has happened. If we do not know something, we Google straightaway Wikipedia has replaced the encyclopaedia due to its instant results, which can be updated by the user. As technology advances we replace the old things with improvements. MySpace is not used due to the popularity of Facebook. Images are not held in photo books like they used to be but will be uploaded to Facebook profiles. The same with music now we download instead of buying physical items these are then stored on a hard-drive but what happens if a computer is broken down or stolen. We lose our paths, our memories and personal identities all are on the hardware that we have on our desks at home. Have we given our computers our personalities? Have they become more than just a storage solution? do we depend on technology to match? Kids cant even spe nd a day without their mobile phones.tv show evidence psychologists are saying that Next Generation has addiction to technology quote surely it doesnt help stress levels in our society to be able to be spoken to at any point in time. When do we get a chance to turn our brains off? With companies requesting their workers to use blackberrys it means that we have no time to ourselves as we are in contact with work 24 seven. It is not that we leave work at 6 PM anymore; it follows us on the way to our homes. Your boss will not hesitate to call you because you are on holiday. If you are sick you are still expected to work from just because you sneeze does not mean you cannot type on a spreadsheet!

How to take a picture. :: essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  In this report I will tell you how to take a good picture. The things you will need are a camera, a tripod, a light meter, a remote shutter control, computer, printer, printer paper, digital level and a good location.   Ã‚  Ã‚  Ã‚  Ã‚  The first thing you will need to do is decide what you want to take a picture of. Take your camera, tripod, light meter, remote shutter control, and digital level with you.   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  The second thing you will need to do it set your camera up on your tripod. To do this you will need to take your camera and find the hole on the bottom. Next set the camera on the tripod. There should be a bolt on the tripod. Screw the bolt into the camera.   Ã‚  Ã‚  Ã‚  Ã‚  Once you have that done you will need to set up the tripods legs. You will need your Digital Level for this. Extend the tripod legs, and use your Digital Level to get your camera nice and level.   Ã‚  Ã‚  Ã‚  Ã‚  Now that your camera is level you need to set up your remote shutter control. To do this, attach it to you camera’s shutter button. This will allow you to take a picture without bumping the camera.   Ã‚  Ã‚  Ã‚  Ã‚  Next you want to use your light meter to see what you want your aperture to be at. It depends on what your light is. If it’s really bright out, like if you were taking a picture of a sunset, you want a small aperture. But if it’s at night you want a big aperture.   Ã‚  Ã‚  Ã‚  Ã‚  Next decide the shutter speed. You can have many different effects based on how you set your shutter speed and aperture.   Ã‚  Ã‚  Ã‚  Ã‚  Now you can take you picture. What you want to do is focus on the object you are taking a picture of. This is very important to do RIGHT. If you don’t, your picture will come out blurry. So take your time while doing this.   Ã‚  Ã‚  Ã‚  Ã‚  The next step is to connect you camera to your computer. All you have to do is plug your USB cable into the camera. Once you’ve done that, a little window should pop up and ask you what you want to do. You should click on the button that says. â€Å"Download Pictures to PC† Once you do that they should download.   Ã‚  Ã‚  Ã‚  Ã‚  The next step is cropping and printing your pictures.

Essay --

Mady Bunnell English 11 Hour 2 Almost 50% of people with eating disorders meet the criteria for depression.Only 1 in 10 men and women with eating disorders receive treatment. Only 35% of people that receive treatment for eating disorders get treatment at a specialized facility for eating disorders. Up to 24 million people of all ages and genders suffer from an eating disorder (anorexia, bulimia and binge eating disorder) in the U.S. Along with all these appalling statistics, eating disorders have the highest mortality of any mental disorder(1). There are multiple causes of eating disorders leading to horrific consequences, but various treatment plans await those victims seeking to get help. An eating disorder is established by an unhealthy relationship with food and weight preferences that interfere with ones personal life. As of May 2013, The Diagnostic and Statistical Manual of Mental Disorders classified anorexia, bulimia, and binge eating as the three main eating disorders. Anorexia is classified as having an intense fear of gaining weight and a typical unhealthy practices of intense starvation for long periods of time. Bulimia involves repetitive cycles of binge eating followed by self induced vomiting, also known as purging. Binge Eating is associated with cycles of consuming colossal amounts of food in a rapid manner. People who binge eat also cannot control how much they as well as when to stop. Eating disorders do not just appear out of out of the blue, people tend to use food as a coping mechanism to deal with pain emotions or to have some sort of control in their lives, with the short rush of fulfillment, eating disorder victims are inclined to skim over the severe and fatal repercussions of their actions. Eating... ... eating disorder victims. They are required to stay for certain amount of time and then follow up with outpatient care. During the inpatient process, specialists are a lot more hands on with their patients. Doctors and therapists dictate exactly what each individual does throughout the day, how much and what patients are granted to eat for breakfast, lunch and dinner to meet the nutritional needs of the patient, and psychotherapy counseling. There are multiple causes of eating disorders leading to horrific consequences, but various treatment plans are available to anyone struggle with the burden of an eating disorder. Eating disorders are simply mental demons that strive to mutilate any sense of self-esteem that victims may possess. By heeding the symptoms as soon as possible fatal repercussions can be averted through the the outpatient and outpatient processes.

Dmitri Shostakovich Essay -- Musicians

Dmitri Shostakovich was born in St. Petersburg, Russian on September 25, 1906. He was the second child of Dmitry Boleslavovich and Sof†²ya Vasil†²yevna and he had two siblings. At the age of nine, Shostakovich took a piano lesson and discovered that he was musically gifted. When he was twelve years old, he composed a funeral march to honor Kadet Party leaders that Bolsheviks murdered, in 1918. Shostakovich stared to take classes at the Petrograd Conservatory in 1919. However, he did not do well in most of them, but he did extremely well in the artistic classes. Shostakovich composed â€Å"1st Symphony† and premiered it in 1926. Shostakovich worked as a concert pianist after he graduated to earn some money. He also composed at the same time. At the Warsaw International Piano Competition in 1927, Shostakovich met Bruno Walter, a conductor. He liked Shostakovich’s works and he said that he will conduct Shostakovich’s â€Å"1st Symphony† in Berlin. Shostakovich completed his â€Å"2nd Symphony† in 1927, and he started to work on the music for the opera â€Å"The Nose†. When the opera premiered in 1930, the opera did not do well and received many terrible reviews from the audience. Because of this opera, Shostakovich’s â€Å"3rd Symphony† was not perceived well Shostakovich married his first wife, Nina Varzar, in 1932. In 1935, they were separated when Shostakovich had an affair with Yelena Konstantinovskaya. They were later reunited and the born of their first child strengthen their relationship. Shostakovich worked on the opera â€Å"Lady Macbeth of the Mtsensk District† while he worked at Leningrad Theatre of Young Workers, known as TRAM in Russian acronym, in the early 1930s. When the opera premiered in 1934, the opera were successful. He was praised â€Å"it co... ... and emotions of the characters, and it created the atmosphere for the films, just like how his â€Å"5th Symphony† was able to captured people’s emotions when they lost many people that they know in mass execution. Works Cited "Classical Net Review - Shostakovich - King Lear." Classical Net. Web. 01 Apr. 2012. . David Fanning and Laurel Fay. "Shostakovich, Dmitry." Grove Music Online. Oxford Music Online. 1 Apr. 2012. "Dmitry Shostakovich." AllMusic. Web. 01 Apr. 2012. . "Hamlet." IMDb. IMDb.com. Web. 01 Apr. 2012. . "King Lear." IMDb. IMDb.com. Web. 01 Apr. 2012. .

Boom of Credit Cards

Credit cards have become such a familiar feature of the life style in the world that it is difficult to imagine a consumer economy functioning without them. The credit cards are nowadays the most convenient of all types of payments. The boom of the credit card industry has affected everyone in the world of the â€Å"plastic money†. That was the name given to the credit card right after it was invented. Nowadays, the â€Å"plastic money† occupies a very important place in the economy of the country. â€Å"Settlements indicates that the number of credit cards in circulation increased 34 percent between 1988†¦.. The data also show that the value of credit card transactions increased 98 percent during the same period† (Yoo, p. s. 1997). A lot of reasons explain the fact that the credit cards are holding the most important place in the wallet and purses today. Behind these reasons , is hiding a crucial social phenomenon that has very bad consequences in the country, credit card abuse. Despite the measures taken by the officials, statistics prove that the number is increasing everyday. Today, Visa and Master card occupy an important place in the credit card marketplace but the pioneer in the business remains to be Diners Club. In 1949, as the luncheon tables were cleared at the Major†s Cabin Grill, a popular New York restaurant of the period whose location next door of the Empire State Building was then a considerable asset, three men sat huddled over a prime table off to one side †¦. In their excitement, they called over Major, the proprietor and asked him how much he would pay for business that he would not ordinarily get. Without flinching, Major replied â€Å"7 percent† , number that established a major industry (Lewis, 1990). ` Those three men were Alfred Bloomingdale, Frank Mc Namara and Ralph Snyder. They conceived a plan for a new type of credit card. Unlike the retail and gas credit cards, which were restricted in use to those industries, theirs would be â€Å"universal† card that allowed its holders to purchase goods and services at different places across the country. An industry was born, Diners Club As a matter of fact, the period right before the First World War, was the first year for a new industry, the credit card industry. Those first credit cards were not really credit cards as they are today because they served only for limited needs. They could be used only on a very low level. The use of credit cards by retailers began in 1914†³ (Lewis, 1990). Since that date there was an inconceivable growth of credit card production. Prior to World War I, few hotels, oil companies and department stores issued credit cards. Then in 1931 the airline companies introduced the credit cards in their business (Lewis, 1990). The evolution and the expansion of the card went lide the speed of light. The most important step was the introduction of the credit card to the Internet in the 90†³s. Today, Web servers enable payments by credit card. A credit card transaction over the Internet is one of the most common types of payment. If a merchant has an account with a merchant bank that offers Internet credit card processing, he would be able to accept credit card payment over the Internet (http://search. netscape. com). â€Å"There was an increase of $78 billion over 1994, in just one short year. We†ve been tracking it since 1980, and we†ve never seen that kind of increase before. † (Glenn, 1984, pp. 857-68). What are the reasons that explain the fast increase of the use of the credit cards? As one reason that might explain the phenomenon, some people may think that carrying a credit card is much easier than having cash or a checkbook in their wallets or purses. There is no doubt that the â€Å"plastic money† doesn†t bother in a wallet or a purse because of its tiny size. Another reason that may explain the credit card fever is that it allows its holders to spend the money they haven†t got yet. Actually, it looks like free money, although it really isn†t. That is the case of the college students who have credit cards and whose parents will pay the debt their child has created. The strongest argument that could be also the main reason the t explains the increasing number of credit card transactions is that a lot of low income-persons are carrying â€Å"plastic money† and are using it widely but not wisely. When the time for paying off the balance due comes, a lot of people do not have enough money to clear their bills. Here is the beginning of a cycle that probably will never stop (Kathy and Bill B. â€Å"s case) until the credit card company or the banks realize that their customer†s debt is growing every month. Before any reaction of the creditors, the debt has reached an unbelievable amount. As a result of a non-payment of the bills, the problems in the credit card industry began. In addition to lost or stolen cards and billing errors, an uncontrollable phenomenon was born in the industry, fraud. Two major aspects determine the fraud in the industry, stolen cards and the black market created around the â€Å"plastic money. † In fact, counterfeiting credit cards has taken an important turn during the 60s. As expected, not long after they had instituted the unsolicited credit card programs in the late 1960s, the bank began to experience significant losses due to fraud (Lewis, 1990). Statistics prove how fast the fraud went up in the industry. In 1964, the U. S. Post Office investigated only fifteen cases of credit card fraud. Four years later, in 1968, that figure shot up to 360, and the following year, it more than doubled to 762. In 1970, Andrew Brimmer, one of the Federal Reserve Board†s seven governors, showed that bank charge card losses had increased 50 percent that year to $115. 5 million or $3. 4 percent of $3. 4 billion in outstanding credit card debt (Lewis 1990). In 1971, the Los Angeles Police Department made public its first reported of counterfeiting credit cards. The counterfeiters, two women and one man who apparently had knowledge of at least one bank numbering system used authentic blank cards stock to succeed their operation (Lewis, 1990). The very fast assumption of the abuse in the credit card industry made the banks and the credit card companies think about finding solutions that could stop this terrible phenomenon. Since the major source of losses in the industry was stolen cards, it was very hard for the credit card companies to find a solution that would stop fraud. The fraud in the credit cards industry had had an important impact in the economy of the United States such as financial losses. In 1973 alone, credit cards losses were estimated to be $288 million-or 1015 percent of the total credit card sales (Lewis, 1990). The delinquency rate has risen four quarter in a row for the first time since 1991†¦.. At the end of 1991, $3. 4of every $100 owed on credit card was delinquent, up eight percent from 1994 (Business Journal of Charlotte, 1996). Whose responsibility was it? In large part, the banks themselves were responsible for their continuing losses. In their desire to market their cards as actively as possible, they were reluctant to tarnish the image go the credit card by publicizing stories of thefts and losses , so they hid the information not to alarm potential cardholders(Lewis, 1990, p. 8). The government may be held responsible as well because the government issues cards to the members for government travel expenses only. Unfortunately, those cards have been used for the purchase of liquors, jewelry and flowers (Fritz, S. 1996, March 16). That is another â€Å"ugly face† of credit card abuse. The people who were supposed to help the country to overcome the problems abuse intensify the situation. As the industry was growing, the banks and the credit card industries did not think of any alternative that would stop an eventual fraud in the industry. The lack of management was one of the major sources of the problem. As one solution that had to be found, the credit cards companies invented the secured credit card that allows the customer to spend not more than what he or she has in his or her bank saving account. That seemed to be a good solution to stop the fraud but criminals are so good that they devised ways to tap into potentially lucrative market. By the mid 1970†³s, the credit card companies installed their own law enforcement to fight credit card fraud, the Association of Credit Card Investigators (ACCI). The role of this unit o the credit card companies was to have a better management of the growing number of customers. One measure initiated by the ACCI that proved effective was a combination of a post mailer with dual dating on the credit card. A dual dating enables the credit card Company to delay the effective starting date of the card until after it should have been received by the cardholder. The post mailer informed the intended cardholder that a card had been mailed to him or her and that the credit card Company should be notified if it had not yet been received. As a result to the important measures taken by the credit cards companies, 75% drop in fraud in the first years (Ventura, 1992). Another preventive measure adopted by the credit cards companies was a warning bulletin alerting the banks and merchants to fraudulent cards. All the major credit cards companies did not approve this kind of measure. On one hand, American Express, Diners Club felt that the warning bulletins were necessary to control fraud as well as the misuse of cards by delinquents and overspenders. On the other hand, Visa took the position that warning bulletins were not necessary and that sending postcard was enough. Statistics proved later that Visa was losing a higher percentage of its charge volume from fraud than American Express and diners Club(Lewis, 1990). The solution on the federal level would be an abolishment of the government credit card system as suggested republican George W. Gekas (R-Pa)(Los Angeles Times, 1996, March 16). In spite of the tough measures taken by the banks and the credit card companies, losses due to fraud continued throughout the 70s. As the 80†³s approached, the credit card companies overcome most of the legal and operational problems such as billing errors and the development of an efficient nationwide up-to-the-minute authorization system. A wide laws and regulations system now govern the functioning of the industry but still the fraud is inevitable. This number is still increasing due to the corruption of our society. The only way you can help to stop this is by changing the whole system. But then there will be some people who will pursue their illegal actions, and will find a way to abuse other systems also.

Defining and Avoiding Plagiarism: The WPA Statement on Best Practices

This article discusses the issues surrounding plagiarism and providing accompaniment into what plagiarism is and identifying how it lavatory be adjust in an attempt to address this evolution educational concern. The article describes plagiarism as an act when a writer on purpose uses some matchless elses language, ideas, or former(a) original ( non common-knowledge) material without acknowledging its source (Defining and Avoiding Plagiarism, 2003). The nearly common problems with regard to plagiarism brood in distinguishing plagiarism from misuse of sources.Plagiarism, as defined previously, is the use of anothers ideas without attri stilling it to its source, trance misuse of sources, is the failure to mighty attribute the ideas to its source (Defining and Avoiding Plagiarism, 2003). The difference is that in plagiarism, a soul attempts to take realization for anothers idea while in misuse of sources, a person attempts to give credit to the source but fails to do this in the proper personal manner or format.The reasons that savants usually commit one error or another can be attributed to students exhaustingies with the integration of the information into their work, students failure to properly inventory research material, or scarcely be ignorant of the mistakes because of various learning backgrounds (Defining and Avoiding Plagiarism, 2003).Whatever the causes for these mistakes, the difficult part for the educators is in discerning the role of the writer in using the sources in order to determine whether or not there was merely a sincere misuse of sources or a sibilant attempt at plagiarism. Students may simply not be aware that what has been through with(p) is already plagiarism or has essay to plagiarize but cleverly disguises it as a simple misuse of sources. The headstone therefore to addressing this educational problem lies in making sure students understand the relevancy of proper citation in their work.

Imagery and symbols Essay

Quotations from the text are in italics.A tramway Named liking is a prank enriched with resource and dependable of expressionism it shows the world by means of the characters emotions rather than how they literally discriminate it. Throughout this play, Tennessee Williams uses various forms of envisionry and symbolisationism to exempt and high luminance themes and moods. The play often uses symbols to punctuate the thoughts and emotions of the characters, and it is these expressionistic elements that I get out go on to hash out in this essay. In this piece of writing, I provide non only look at the im eonry utilise and the meaning behind it, I entrust also try to evaluate its role in the functioning of the play.The main motifs of symbolism used in this play areo Lighto Heato Musico coloringo Titles & Nameso Clotheso Reference to animalsThe most signifi empennaget imagery in the play is the use of take down and shade in the play. Light is, in legion(predicate) wa ys, a playwrights biggest asset watery (or the lack in that respectof) peck denote tension, fear, and suspense and bathroom be used to draw the audience, to rivet their attention on a certain testify. In A Streetcar Named bank, Tennessee Williams, while using it for all of the above causal agents, manipulates light in a unique way light is a physical manifestation of the truth. For this reason, Blanche hates light, she is afraid it will destroy her illusions I entert fatality realism.By looking at light as synonymous with truth we can see her evil to light stems from her desire for magic (Ill bear witness you what I want. Magic). Blanches disgust at naked light lightbulb (I cant stand a naked light bulb, any to a grander extent than I can a rude remark or vulgar action.) expresses her unfitness to face candor, and so she puts a reputation lantern everyplace the light the paper lantern which represents her illusions, and the faade she presents to the rest of the worl d. Stanley has no patience with her fantasies, and so he tears the paper lantern off the light bulb. This action of his is a symbol for his revealing her true self.There is also a more apparent and less subtle reason for Blanches terror of light she wants is very subconscious mind about her age, and she has fears of being scrutinised under the merciless splendor of the light.Light also has other connotations in the play. For Blanche, it represents commencement love. When she was very young the searchlight was switched on, and after Allans conclusion it suddenly went off once again, after which never for whizz moment has there been a light stronger than the ticklish glow of a candle. Through this we can understandably see that the tragic events of her past, and the loss of her first love, own led to Blanches fear and intense abominate of light she was dazzled by love primeval in invigoration, and after Allans death, she avoided all light. For Blanche there is a difference between the soft luster of the candle, which she takes comfort in, and the harsh glare of the light bulb.This leads to another, more obscure, connotation of light in the play. If the light bulb represents reality, then the candle represents hope. Blanche acknowledges that candles arent safe, and she associates the electrocution out of the candle with the loss of innocence, and after that happens, galvanizing light bulbs go on and you see as well as plainly. Therefore, she associates light (reality) with the loos of innocence, specifically hers which was cruelly snatched remote from her at Allans death. This fear of light/ reality portrays her inability to grasp anything real or solid, which is exhibit when she gasps at her reflection in the mirror.As can be seen, the symbol of light has a major(ip) role in the play, and it is impossible to conceive how the play would even function without it. Therefore, we can see that, in the case of the motif of light, the imagery and symbol ism cogitate thereof is very grand in the play.another(prenominal) form of symbolism in the play, and closely link to light, is the theme of heat. This time, however, the imagery is just not related to Blanche, it relates to many of the main characters in the play. In A Streetcar attendd desire, heat represents different individuals receipt to their consistency image. Stanley is confident, assured about his image, full of great power and pride, and his level of comfort with his physical image is the reason why he easily says, my vestmentsre sticking to me. He sums up his expectation on his self-image when he says Be comfortable is my aphorism.In this play, heat is also used to accentuate the differences between the characters, and the differences between Mitch and Stanley are emphasised in this way. Stanley simply says Do you mind if I cave in myself comfortable, whereas Mitch says he is ashamed of the way he perspires. This reference to heat by both characters shows us t he difference between them. It also shows that, if Stanleys body image is bold, brash and confident, Mitchs is shy, clumsy and insecure.Blanches issue with her appearance has already been glimpsed in the previous(prenominal) section, through her trying to conceal her age and weaken beauty. This can be discussed in greater elaborate from the perspective of the motif of heat. Stella says that Blanche takes baths to cool down, which seems to straightway relate to the motif heat. However, is that really why Blanche bathes so often?Some critics expression that Blanches back up clean is a vent for her feelings of guilt oer her stained past. Perhaps her frequent cleanse is a result of her preoccupation with washing away sins and lick a fresh start. She likes bathing because it makes her feel like a brand new gentle being. However, I disagree with this interpretation, as Blanche herself does not feel she has d unrivalled anything wrong I dont tell the truth, I tell what ought to be the truth. And if that is sinful, let me be damned for it Therefore, it is unlikely that her bathing is a result of her guilt.In my opinion, her frequent bathing is a result of her insecurity about her age and appearance. She herself states that the baths are a form of hydrotherapy it assuages her fears of her tarnishing beauty.Overall, although the symbol of heat is not as major or well-developed a theme as light, it enriches the play and adds many nuances to the personalities of the characters.Names and titles are also used symbolically in this play. One critic has said that fundamentally this is a play about bank and demise and the effect these have on the human soul. From this, and therefore simply from the title, we can see that Desire is an important theme. This theme is portrayed through the imagery of A streetcar named Desire. In his own breeding in New Orleans, Williams observed two streetcars (trams), one named desire, the other called cemetery.As he observed their m ovement, he was impressed by the symbolism of this and their relevance to life in general. In A Streetcar Named Desire, Desire and Cemetery are two journeys we make in life one towards our desires, our hopes, dreams and ambitions, and another toward the cemetery, through death (they told me to take a streetcar named Desire, and then transfer to one called Cemetery. These streetcar titles are specially relevant to Blanche and her past life. She has travelled on Desire to get here it is because of her lustful desires that she is in a position wherein she has to come to Elysian palm to sleep together with her sister.Other call and titles also hold implication in this play. Elysian Fields is a name that brings an image of peace and tranquillity, which is a definite business to the violent actions of the habitants of Elysian Fields. Elysian Fields also indicates a resting place for the dead, and this once again reflects symbolically on the themes of Desire and Death. The last eart hshaking name in this play is the title of the plantation, Belle Reve. sooner on I looked at hope from the point of view of Blanche, and we can see that Belle Reve is a prosopopoeia of that hope, as Belle Reve means beautiful dream. For Blanche, when she looses Belle Reve, she has fully wooly all her hopes and dreams, and her journey of Desire begins to come to a halt, and her journey towards the Cemetery begins.In general, the symbolism of titles and names is essential to the theme of the play, and therefore holds a great deal of importance in this play.